A visit to Nan Desu Kan: Cosplay takes the spotlight at anime convention

As an outsider to the anime and manga community Erin and I are drawn to Nan Desu Kan, Denver’s anime convention that celebrates its 16th year this weekend at the Marriott in the Tech Center, in large part for its attendees’ passion for cosplay. We’re not that familiar with the plethora of contemporary anime titles (though I did grow up as a kid in Japan watching the likes of Astro Boy).

But you don’t need to be an anime expert to appreciate the crazy freakshow (in the good way) of cosplay.

Cosplay is a word coined by a Japanese animator, Nobuyuki Takahashi, after attending a Los Angeles anime convention in 1984. He was taken by how many American fans dress up to role-play their favorite anime characters. When he returned to Japan and reported on his trip in the media at home, he called the phenomenon cosplay, a typical Japanese language trick of creating a pun by collapsing two words together: Costume Play.

At the Marriott last night, cosplay was front and center: The annual Cosplay Costume, the main event for many attendees, was held in the hotel’s event center. The lobby, halls, restaurants and conference rooms were all thick with people dressed to kill … in a cartoon. The hotel reserves every room — the entire building — for the three-day event.

And last night the highlight of the convention, the annual Cosplay Contest, was held.
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Anime this week in Denver – “Fullmetal Alchemist: The Star of Milos”

Denver fans of cutting-edge Japanese manga and anime can immerse themselves this week in the alternate steampunk European world of “Fullmetal Alchemy,” a popular series of comic and animated TV series and feature films that have captivated audiences on both sides of the Pacific since 2001, when the series launched in Japan as a serial comic.

The latest output of the franchise, “Fullmetal Alchemist: The Sacred Star of Milos,” continues the compelling tale of two brothers, Edward and Alphonse Elric, who are famous alchemists — scientists who can use their powers to change the molecular structure of objects and materials. Edward lost a leg and then an arm, and Alphonse his entire body when they tried unsuccessfully to use alchemy to bring back their mother to life after she died of an illness. Alphonse’s soul is contained in an armor.

In the new film, the Elric brothers track down a fugitive alchemist with unknown powers to a city where the Milos, a downtrodden people, are rebelling against their oppressors. The Elrics are drawn into the battle, and befriend a young woman who wants to lead the Milos even if it means using the Philosopher’s Stone, the powerful catalyst that could restore Edward and Alphonse’s bodies.

The film is a thrill ride of cutting-edge animation and action, and even if you’re not familiar with anime in general of the “Full Metal Alchemist” franchise, you’ll be immediately drawn into the sci-fi reality and soon forget you’re watching an animated movie.
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Astro Boy is still flying high after 57 years of fighting crime with technology

tetsuwan_atomu_1_21Astro Boy,” the new American computer-animated version of the Japanese comic and cartoon that launched the revolution we now call anime, opens today.

I’m more than a little nervous about seeing the movie, since it may not resemble the Japanese cartoon I grew up with, and because Hollywood really screwed up “Speed Racer” when they decided to turn that classic anime into a big live-action spectacle.

(The following text is a re-worked version of a pre-blog Nikkei View column I wrote back in 2003.)

Astro Boy, called “Tetsuwan Atomu” in Japan, was originally introduced in 1952, as a manga, or comic book character, and later turned into an animated television series. Created by the pioneering Japanese comic and anime (animation) artist Osamu Tezuka, his name stands for “The Mighty Atom,” an image still vivid in the minds of millions of Japanese who had lived through the end of World War II just seven years before, and the atomic bombings of Hiroshima and Nagasaki.

The cartoon character is best-known in the US for the English-dubbed versions of the “Astro Boy” series that first aired in 1963 and then was re-launched with a new series in 1982 and resurrected in a computer-animated film opening today, featuring the voices of Freddie Highmore, Nicolas Cage, Kristen Bell, Bill Nighy and Samuel L. Jackson.

The story line is a spin on Pinocchio and superhero comics, mixed with a dose of Steven Spielberg’s film “A.I.” (actually “A.I.” borrows more than a dose from Astro Boy). When the kindhearted Dr. Boynton’s (Professor Tenna in the Japanese original) son is killed in a car accident, he invents an atomic-powered robotic replacement only to discover that there’s no way that the android can truly be human. The mechanical boy was born on April 7, 2003 — the far future — in the original manga. Continue reading