Monthly Archives: September 2008

Wanna host a Japanese Game Show on MTV?

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You read it correctly: MTV is looking for a host for a new Japanese Game Show to be produced here in the U.S. They’re casting around for a hip young Asian American dude. here are the details, copied from an email I was sent by an MTV casting producer for series development:

“MTV is searching for a host for a fun, energetic Japanese game show pilot. They’re looking for outgoing, articulate, spirited people who appear to be between the ages of 21 – 35 and appear to be Japanese or of Japanese descent. Candidates must possess bold personalities and a devilish sense of humor.

“People that exude a lot of enthusiasm, have wicked personalities, distinct styles and possess a unique charm on tape should apply ASAP. The perfect candidate would have a Johnny Knoxville-like appeal. If this describes you, please email nycastingteam@gmail.com immediately. Television credits are not necessary. Improv / comedy backgrounds are a plus. There will be compensation.

“It is an amazing opportunity for the right talent, so please email nycastingteam@gmail.com with a headshot / pic and let them know why you’d be the perfect game show host. Must be well-versed in the English language. Union and non-union okay. Taping will be in New York.”

If I were young and hip, I’d apply. At least I got the JA male part down!

Boulder hip-hop contest rocks, recalls early days of punk music scene

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The hip-hop dance scene of b-boys and b-girls isn’t exactly underground — 39 million votes were cast for the second season finale of “America’s Best Dance Crew” on MTV, and movies such as the 2007 documentary, “Planet B-Boy” and the movie “You Got Served” from 2004 (or, for that matter, the previous generation’s “Beat Street” and “Breakin‘” and “Breakin’ 2: Electric Boogaloo,” all from 1984), have all proven that there’s a healthy above-ground audience for the exciting moves and urban beat culture of hip-hop dance.

But last night, when Erin and I attended Rockers Rumble III, the third annual competition of Colorado breakdancers, held at CU-Boulder’s Glenn Miller Ballroom, I had a flashback of nights hanging out in crowded clubs, makeshift concert halls and low-rent bars in the early ’80s, when I used to be a music critic. The scene back then was small but growing, and there was a palpable sense of community, kind of a shared language and shared values. Everyone knew what was good and what was bad, and everyone agreed on the sound and spirit of the underground music scene.


Check out the move that comes about 20 seconds into this clip — and then watch for a couple more seconds.
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Korean dancers perform in Denver

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Erin and I got to see a really interesting traditional Korean dance and music performance last week.

Think about it — you’ve seen taditional Japanese dancig in kimonos, and heard lots of traditional Japanese music, with the wood flute, koto and taiko drums. You’ve seen Chinese dance and heard Chinese music. And at events such as the Colorado Dragon Boat Festival, audiences have been intorduced to the traditional dance and music of Bali, Vietnam, Philippines, India and more… but not that much from Korea.

During the early years of the CDBF, a troupe of Korean seniors used to perform, but their act was mostly 20 minutes of the large group in traditional dress, circling the stage to no particular rhythm and randomly beating on drums. The festival has also featured a solo Korean dancer who did a slow and meticulous mask dance. Abd last year during the Miss Asian American Colorado pageant, one contestant performed a Korean fan dance with a bunch of cute kids helping out.

I’m not sure why, but there hasn’t been much exposure, at least in my world, of a lot of traditional Korean performance. Maybe the noisy, sometimes chaotic nature of traditional Korean dance just doesn’t appeal to Americanized tastes.

Whatever the reason, though, we got plenty on Saturday, Sept. 6, when the Korean Consulate General in San Francisco sponsored a rare U.S. visit by a Korean dance troupe, Festive Lands, for a performance at the DCPA’s Temple Buell Theater titled “Colorado Forever.”
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Asian Americans in Hollywood speaking out for Obama

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Asian Americans and Pacific Islanders definitely seem more engaged with the political process these days. Maybe it’s the DNC being in Denver that’s made me sensitive to everything that’s going on. Maybe it’s Obama’s Hawai’i connections. Or maybe AAPIs are finally coming out of the shadows and fighting to have our voices heard, and not be invisible anymore.

Here’s an email being distributed by the group, Asian Americans for Obama, by the Hawai’ian-born actress Kelly Hu, who showed up unannounced at an AAPI Caucus meeting during the DNC (shown above):
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LPGA backs down from English-only penalties

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Sometimes, even a community like ours — Asian Americans who are normally imbued with deep-rooted cultural values that keep us from speaking out against slights and injustices — can get so riled up we have to express our outrage. Such was the case over the LPGA’s decision to enact harsh penalties on golfers on the circuit who don’t speak fluent English.

The requirement to pass a language proficiency test, or else face suspensions or even getting the boot from the tour, seemed to be aimed at the emergence of a generation of Asian women golfers — specifically Koreans — who are terrific athletes but don’t speak English. That never seemed to be a problem with athletes in other sports, like baseball, where translators shadowing Japanese superstars is a common sight. But it apparently bothered the LPGA.
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