Erin and I took a summer hiatus, but visualizAsian.com is back, and proud to kick off a new season of interviews with a conversation with Iranian-Japanese American journalist Roxana Saberi, whose recent book, “Between Two Worlds,” chronicles the harrowing experience of being imprisoned, charged with espionage and sentenced to eight years in a notorious Iranian prison before being released after five months in May 2009.
We’ll be talking to Roxana on Tuesday, August 31 at 6 pm PT (9 pm ET) via phone and web –You’ve missed the live interview, but for a limited time, you can still join in the conversation by registering and listening to the archived MP3 recording..
Roxana recently spoke about her ordeal at the annual convention of the Asian American Journalists Association, and I sat in on the panel.
She captivated the audience with her story of choosing to be a journalist in a dangerous political hotspot, of her unexpected capture and fear and frustration at her situation, the flashes of humane treatment she received from some of her guards, and even the humorous moments (in hindsight) over her efforts to give surreptitious messages to her boyfriend and family.
She captures all of this and more in compelling prose in “Between Two World,” and she’ll be reading passages from it during our conversation.
Emperor Hirohito of Japan gave an unprecedented radio address at noon 65 years ago today, on August 15, 1945, to announce that Japan would surrender unconditionally to the United States and the allied powers.
The Victory over Japan Day, or VJ Day, officially ended World War II on September 2 1945 when Japan signed the documents of surrender aboard the USS Missouri, and ushered in an era of incredible prosperity for Americans, even though more wars, in Korea, Vietnam, Iraq and now Afghanistan, would prevent peace in the decades to come.
The end of WWII is justly celebrated as the close to a violent, though heroic, chapter in our history. But our perspective often blocks empathy for the perspective of the vanquished, as with our ignorance of August 6 and 9, 1945, the anniversary of the atomic bombs dropped on Hiroshima and Nagasaki that led to the August 15 announcement by Emperor Hirohito urging Japanese to “bear the unbearable” and accept the country’s surrender.
Except for the elderly veterans and American civilians who served in the Occupation Forces under General Douglas MacArthur, there isn’t much awareness of what Japan was like in the months and years after the war. The Occupation lasted until 1952, thr brink of the Koraen war.
But, I would guess that many Americans don’t have any awareness of Japan until the 1964 Olympics, which were held in Tokyo, and which heralded the arrival of Japan as a world power that, by the 1980s, rivaled the U.S. economy.
That’s why I’m so fascinated by the postwar era in Japan — it’s a hazy, forgotten time. I was born during that era, in Tokyo in 1957, and lived in two worlds — attending school on U.S. military bases and living in Japanese civilian neighborhoods until the mid-1960s, when my family moved Stateside.
For Japanese, the end of the war is remembered vividly for the atomic bombings and the utter poverty the country was left in by its military leadership. Even before the atomic bombs, its majors cities had been firebombed for months by U.S. bombers. In one night of bombings in Tokyo, almost as many people were killed as by the atomic bomb on Hiroshima, and great swaths of Tokyo had been leveled.
It’s hard to imagine the scale of death and destruction that modern warfare can inflict on a country and its people. That’s why, in spite of a stubborn nationalistic streak that leads to some Japanese still thinking like the country did in the 1930s and ’40s, and claiming atrocities such as the Nanjing Massacre (where hundreds of thousands of civilians were reportedly murdered by invading Japanese troops) never happened, most Japanese are strongly anti-war and against nuclear weapons. They don’t want the world to forget.
But there’s a forgotten history, even for the Japanese.
Yeah, I know I’m late to the KTown Cowboys party. Fellow Asian American bloggers have been raving about this web series since the first episode (above) and now they’ve posted their 8th and final episode (below), with a bonus installment to come, featuring comic Bobby Lee.
But I had a fabulous meal of all-you-can-eat BBQ in LA’s Koreatown last week during the annual convention of the Asian American Journalists Association, and now that I’ve driven through the miles of Korean businesses that make up Ktown and stuffed my face silly with everything from bulgogi and marinated pork neck to baby octopus and beef intestines cooked up at our table, I feel a spiritual connection to the young stars of this popular series. I attend the church of food, as all my friends know by now.
If you’re not familiar with “Ktown Cowboys,” click to the website or to the YouTube channel (subscribe!) — you owe it to yourself to start at the start and enjoy all the episodes in order. They’re each about 7-9 minutes long, and well-written, acted and directed. The production values are very professional; it’s ready for the big screen.
We can only hope to see more of these types of online series as an avenue for expression for AAPIs, as an alternative to the (mostly dumb) mainstream depiction of Asian Americans in Hollywood. Frankly, “Ktown Cowboys” could easily be given the feature film treatment, making it a gritty look at young Asian American lifestyles the same way that “Saturday Night Fever” was a snapshot of Italian American and disco lifestyles back in 1977.
I met the affable, energetic Andrea Lwin last fall at the Banana conference of Asian American bloggers (Banana II details coming soon!). At the time, she had just launched “Slanted,” a comedic web series based on her one-woman show of the same name, about an Asian American actresses’ struggles to make her mark in Hollywood. I know, not a new story, but done well and with her engaging AAPI twist, it’s enjoyable.
She had two installments available at the time. It’s taken a while, but she now has a welcome third installment finally online.
My only quibble: This one’s more about the typical Hollywood stuff, and less about Asian Americans’ place in La-La Land, or her innner struggles with her Asian values (and her crazy fobby parents).
But she remains an engaging figure. I’d really like to see a video of her one-woman show!
Mention August 6 to most Americans, young or old, and my guess is you’ll get a blank stare. “What about August 6?” Mention Hiroshima and you might get a second blank stare. Most Americans can’t name the date that the first atomic bomb was dropped, Aug. 6 1945 on the city of Hiroshima. Three days later, a second atomic bomb was dropped, on the southern port city of Nagasaki. Today is the 65th anniversary of that bombing, August 9.
Tens of thousands of civilians were killed instantly in both bombings, some leaving just shadows like stationary, permanent ghosts on walls next to where they had been standing. But because of the raging fires caused in the blasts’ aftermath, and the deadly radiation poisoning from the black rain fallout that followed, up to 166,000 people in Hiroshima, and 80,000 in Nagasaki were killed within a few months. People who survived the blast suffered injuries, burns and deformities; some are still dying today from cancers that lay dormant for decades.
In Japan, the atomic bombings are national tragedies that are commemorated to this day, much like we probably will commemorate 9/11, fifty years from now.
But here in the United States, Hiroshima and Nagasaki have over the years become historical factoids, questions on tests, for most people. Sure, there are recent Japanese immigrants and U.S. anti-war activists who remember and mark the anniversaries, but for most Americans — even, I’m afraid, most Japanese Americans — there isn’t much thought given to the devastation suffered by either of those cities so long ago and far away.
With Asian American Pacific Islander Heritage Month about to end, I thought I’d write a bit about the terms we choose to describe our identity. Like other ethnic groups, the labels we use for ourselves seems to be always evolving. Hispanic evolves into Latino; Negro to Black to African American; Native American to American Indian. Asian Americans are sometimes called Asian Pacific Americans, sometimes Asian Pacific islander American, and sometimes Asian American Pacific islander. These labels lead to a crazy bowl of alphabet soup acronyms: AA, APA, APIA, AAPI.
I choose to say (and write) “Asian American” most of the time, but say “Asian American Pacific Islander” and use the acronym AAPI for formal references. Although organizations such as APIA Vote and APAs for Progress helped get Asian Americans involved in the political process, President Obama and the White House prefers AAPI, as in “Asian American Pacific Islander Heritage Month.” (Note that the poster shown here, from East Tennessee State University, calls it “Asian Pacific American Heritage Month.”)
Earlier this month at an AAPI Heritage Month event sponsored by the Colorado Asian Roundtable, our friend emcee Kim Nguyen stumbled on “Asian American Pacific Islander” and I had to snicker. It’s a mouthful, all right, especially when you say it over and over into a microphone. And even just saying “AAPI” repeatedly gets to feeling odd, as if the letters lose all meaning upon repetition.
As it happens, we may be on the cusp of a change in how we identify ourselves anyway.
The Sacramento Bee the other day ran an interesting story that proposes that “Asian American” is fading off like the term “Oriental” before it.
“As Sacramento’s growing Asian immigrant communities celebrated Sunday’s Pacific Rim Street Fest, a growing number note that Asian American isn’t a race and said they choose to identify by their ethnicity,” the article stated. The excellent (required reading) group blog 8Asians picked up on the SacBee’s story and expanded upon its theme of ethnic Balkanization.
Asian Americans are increasingly identifying more by their specific culture and ethnicity, and not so much as a larger, racially-linked group.
Like a lot of social change, this may be a generational swing. [Read more →]
Wow. As if buying crappy-tasting, unauthentic “sushi” at your local supermarket or Costco wasn’t enough, they’ve found a way to completely commodify sushi — sushi rolls, at least — as a mass-produced pre-packaged snack food. Sushi Poppers are individually wrapped sushi rolls on a stick that you eat like… a Popsicle, those quiescently frozen confections.
In fact, you can even buy Sushi Poppers online, and have it delivered frozen, packed with dry ice. They claim they’ll be fine frozen for up to 30 days. I dunno, I’ve never been able to eat sushi that’s even refrigerated overnight, never mind frozen for a month. I may have to order some just to test it. You get six tubes of sushi on a stick, with seven pieces in each roll (that’s 42 pieces), for $29.95. You can get various flavors, including ones with raw tuna, spicy tuna or salmon, cooked fish, vegetarian, meat (teriyaki chicken or beef, miso chicken) and some dessert flavors.
It seems they’re really stretching the definition of “sushi” here.
If you’re suspicious of ordering frozen sushi through the mail, the company is planning to have the Poppers available at retailers nationwide, with the sushi made locally. [Read more →]
I hate to say it, but that “Model Minority” stereotype is based on reality sometimes. Some young Asian Americans are just darned smart, hard-working good students. Take Sunmee Huh, a 16-year-old Maryland teenager, for instance. Last year, she noticed her grandfather struggling to use a search engine, and had she an idea. She decided to build her own search engine, designed for older, tired eyes, so her grandfather could search the Web for information easily, without straining to read the text or messing with his browser to make the type larger.
She started with the most popular search engine, Google, and used its backend programming to drive her version. She then enlisted the graphic arts help of her younger (!) sister Dahlia to make everything look nice, called the search engine Good50.
In the process she made it super easy to change font size as well as background color (the black background, she explains in Good50′s About Us page, is a “high contrast” version to help people with poor vision that also happens to use less energy to display, so it’s a “green” option).
“Designed with the public’s health in mind, Good50 has pre-set the search box to a larger size and gives the option to adjust to a larger font in the search results,” the About Us page explains. “These features of Good50 will reduce eye strain and help to prevent Computer Vision Syndrome (CVS). Some possible symptoms of CVS include headaches, dry and/or red eyes, fatigue, double vision, and neck or back pain.”
Although she’s reaching out for publicity top spread the word about Good50, Sunmee isn’t in it for the money. She has Google ads on the search engine but refused to add the “sponsored links” that are often at the top of Google search results, figuring those ads are just confusing for Internet newbies — and her grandfather.
And, she also pledged to donate at least 5 cents for every 50 visits to the search engine, from the Google advertising revenue she collects. In April, she made her first donation: $50 to the Red Cross for Haiti relief. In May, she sent a $100 donation to Meals on Wheels. [Read more →]
REMARKS BY THE PRESIDENT AT RECEPTION CELEBRATING ASIAN AMERICAN AND PACIFIC ISLANDER HERITAGE MONTH
East Room
3:50 P.M. EDT
THE PRESIDENT: Thank you, everybody. Thank you. (Applause.) Thank you so much. It is wonderful to see all of you — some of you back for the second time. Some of you work for me, so you’re here all the time. (Laughter.)
I want to, before I start off, acknowledge that we’ve got just some outstanding members of Congress who are always fighting the good fight for the AAPI community. It starts at the top, though, and I want to give a huge welcome and big round of applause for somebody who will go down as one of the greatest Speakers in our history — Speaker Nancy Pelosi. (Applause.)
I want to thank Father Vien for his introduction. He’s led Mary Queen of Vietnam Church in Louisiana through some pretty hard days. After Katrina, he served not only as a spiritual advisor but also as a community organizer, making sure his parishioners got the help that they needed. In fact, shortly after returning to New Orleans, when much of the city was dark, he convinced the utility company to divert electricity to the neighborhood around his church. So nobody messes with Father Vien. (Laughter.) He tends to get what he wants. [Read more →]
Margaret Kasahara was almost half an hour late to the opening reception of her first Denver solo exhibit, at the Sandra Phillips Gallery along the Arts District on Santa Fe Drive. Her fans, friends and collectors milled around soaking in the art on the wall, and made chit-chat until she entered, flustered from being stuck in traffic on this rainy spring evening.
The Colorado Springs-based painter began making the rounds, and one acquaintance made slight of the fact that she was late — it’s no big deal, she told Margaret, who gave a wan smile in return. “No, I bet she’s mortified,” I said. “Japanese are supposed to be early to things. It’s in our DNA.”
I wondered if I had offended her by saying it, but the quip fit the exhibit — Kasahara’s work is a statement of her very Japaneseness, her Asian values on display in colorful two dimensions.
Besides, tardiness didn’t matter. Late or not, her opening was a hit, with a big crowd in spite of the lousy wet weather. The space is small, and her main pieces are 4 feet by 4 feet square, so there’s only room for 13 works in the gallery. But that’s enough to give you a scope of Kasahara’s ability with oil paint (and oil paint sticks) as well as her wit and clever vision, which infuses statements about race and identity in an engaging package of pop art and yes, politics, even though in her artist’s statement Kasahara says she’s not a particularly political artist: [Read more →]
Once upon a time, I went to art school. And although I graduated with a completely useless (career-wise, anyway) BFA in Painting, I chose art school because once upon a time, I wanted to work for Marvel Comics. Real bad. See above.
When I was a kid, I loved Marvel’s lineup of superheroes because they had all-too-human frailties when they weren’t busting up crime in their empowered alter-egos. Spider-man, Fantastic Four, Iron Man, Dr. Strange, Silver Surfer, Nick Fury, Agent of S.H.I.E.L.D., Daredevil, The Mighty Thor, The Avengers, The X-Men… I collected ‘em all. I also had a few issues of Superman and Batman and other DC comics lying around, but I wasn’t a DC fanatic. I was, however, card-carrying member of the Merry Marvel Marching Society, the fan club started in 1964. I had posters (Thor against a psychedelic rainbow in black light in my room looked very cool), stickers, notepads and lots and lots of comics. I had a comic-fan penpal in Australia that I still think about now and then. And, I wrote letters to Marvel about every other month in the hopes of having one of my missives published. Alas, none of them ever ran.
I also drew comics. I wish I’d kept some of them, with dialogue, panels and all. They sucked of course, but they were drawn with the complete self-absorption of of a pre-teen, and that passion eventually turned into some bit of talent, enough to get me into Pratt Institute in New York… a few steps closer to Marvel than high school in Denver. The rest, as they say, is history.
Punk rock, college radio, guitar, big ol’ canvases, The Village and New York’s many distractions distracted me away from my commercial art career, and I eventually ended up a writer — go figger — much to my tuition-paying parents’ chagrin. Besides, my too-Japanese mom decided to eliminate my brother and my clutter when we went off to college, and threw out anything of consequence from our childhoods… including my remaining boxes of comics.
But I still have a soft spot for superheroes, especially ones of the Marvel variety.
So it’s been great over the past decade to watch the Merry Marvel Marching parade of comic-bound characters spring to glorious computer-animated life on the movie screen, with each new movie taking advantage of ever cooler, ever newer technology to create the best special effects ever. Of all of these, I have to say that I’ve enjoyed the smart, funny spectacularly entertaining Iron Man movies best. [Read more →]
Erin and I are thrilled to announce the next call in our visualizAsian.com AAPI Empowerment Series, with Edgar Award-winning author Naomi Hirahara, whose fourth Mas Arai mystery, “Blood Hina,” was recently released. The Edgars, by the way, are the prestigious annual Edgar Allan Poe Awards for the best in mystery writing.
I fell in love with Hirahara’s ability to effortlessly capture the spirit and personality of the Japanese American community with her instantly engaging first book, “Summer of the Big Bachi.”
Her characters, starting with reluctant crime-solver Mas Arai, a retiring gardener in Los Angeles, speak and think and live in a culture rich with JA rhythms, from their speech to historical references. Arai is a survivor of the atomic bombing of Hiroshima, and he has a knack for stumbling into murder mysteries.
The plots of the Arai series, which also include “Gasa Gasa Girl,” in which Mas travels to New York, and “Snakeskin Shamisen,” in which Hirahara explores the rich culture of Okinawans in LA. “Snakeskin Shamisen” won Hirahara the prestigious Edgar Award for mystery writing.
Here’s Hirahara’s bio:
Naomi Hirahara’s fourth Mas Arai mystery, Blood Hina, was released in hardcover by St. Martin’s/Thomas Dunne Books on March 2, 2010. Other books in the series, which features a Japanese American gardener and atomic-bomb survivor who solves crimes, includes Summer of the Big Bachi, Gasa-Gasa Girl, and the Edgar Award-winning Snakeskin Shamisen.
Her crime short stories are featured in Los Angeles Noir, Los Angeles Noir 2: The Classics, A Hell of a Woman, and The Darker Mask. Her book for younger readers, 1001 Cranes, was chosen as an Honor Book for the Youth Literature of the Asian/Pacific American Award for Literature in 2009. She also contributed a mystery serial, “Heist in Crown City” to an English-language weekly in Japan, Asahi Weekly.
A graduate of Stanford University with a degree in international relations, she is the president of the Southern California chapter of Mystery Writers of America.
She’s also a former journalist, who was a reporter and editor for the Rafu Shimpo newspaper in Los Angeles, and she has written books for the Japanese American National Museum. Welcome Naomi Hirahara and join us when we interview her about her books, her characters, and how she comes up with her fast-paced, clever and exciting plotlines.
Holy cow, what was this guy thinking? New Hampshire State Rep. Nick Levasseur posted on his Facebook wall earlier this week that “Anime is a prime example of why two nukes just wasn’t enough…..”
Huh? That rates a WTF?! from any perspective.
Otaku Review, an anime fan blog first picked up the quote, then Levasseur confirmed he posted it on his personal Facebook account, and apologized for it. At least it was a real apology, not one of those “I’m sorry you were offended” non-apologies. Levasseur admits it was a stupid comment, in a response to a question from Otaku review’s L.B. Bryant:
I would like to deeply apologize for the insensitivity of this post. It was a poorly thought out comment, posted jest on my private facebook page. It was never intended to be viewed by anyone other than friends. This, of course, does not excuse the comment. This type of statement has no place in public or private discourse. It does not represent any true opinion, political or personal. My record in the New Hampshire House shows a commitment to equality and social justice. It is a record of which I am most proud. This comment is a disappointment not only to the people of New Hampshire, whom it has been my privilege to serve, but also to my own beliefs and moral code.
Huffington Post picked up on the gaff via a TV station, and other blogs and news media are spreading the comment and subsequent apology around. Good. But the apology begs some creepy questions that remain unanswered: [Read more →]
I’ve been meaning to post a reminder for everyone (non-Asians too!) to fill out your U.S. Census forms, or if you don’t get it done and postmarked by the end of March, to be sure respond to census workers when they come to your door in the months to come.
It’s especially important for ethnic minority communities to be counted because an accurate accounting means every community will receive the federal services and funding it deserves. And remember, this has nothing to do with citizenship, or whether you’re a student, visitor, legal, illegal, whatever. It’s just counting people across the U-S of A.
Here’s an article from the JACL about the Census and why it’s important:
JACL Says “Get Everyone Counted in the 2010 Census”
By Phillip Ozaki and Carla Pineda
Another decade has gone by, so that means its Census time! The JACL is making extraordinary efforts to make sure everybody in our community gets counted. Over $400 billion in federal funding is at stake. One person left out is equal to a loss of $1,300 over the next 10 years to his neighborhood. Everyone deserves a piece of the pie so make sure to get your forms in at the beginning of April. Historically, racial minorities have been undercounted including Asian Pacific Americans, and the JACL hopes to prevent that in 2010. [Read more →]
In addition to the conversation that you can listen to as usual, via phone or webcast, we’ll be showing Corky’s work in a slideshow, and you can vote on your 10 favorite images from the 30 shown here, and Corky will share the stories behind the Top 10 during our talk!
Yes, I know I’ve been slacking off my Nikkei View scribblings for more than a month now. Sorry about that. I’ve been busy with the day job (which I enjoy a lot, working on Internet and new media stuff for MediaNews Group Interactive, the parent company of The Denver Post, San Jose Mercury News and 70-some other newspapers across the country. And Erin’s now executive director of the Colorado Dragon Boat Festival (expect a blog post about that soon) and I’ve been helping out with CDBF’s website and social media efforts.
Those are all excuses, of course — I have time if I make time. I made time for the next visualizAsian.com call today, so I figured I should check in with you all, and let you know I have stack of topics to write about. If you’ve sent me a CD, a DVD or book recently, I owe you extra apologies. They’ll all get their due in the days to come, I promise!
Blogging’s a great outlet for me and I won’t stop, but I do end up taking breaks from time to time when I get busy elsewhere. Life gets in the way….
If you want to keep up with my babbling even when I’m absent from the Nikkei View, check in with me on Twitter or Facebook, or even FourSquare. At the very least, you’ll know where I’m eating all the time! I find these other outlets a faster and more convenient way to post links and make quick comments. I often intend to follow-up on stuff I Tweet about as blog posts, but then I get swamped and don’t get to them and it seems like old news by the time I turn to the blog.
So, there you have it. I’ll try to post something and clear out the backlog this week.
How cool is this? The March 16 visualizAsian.com show is going to be a conversation with Eric Nakamura, the owner, publisher and co-editor of Giant Robot magazine. Our call with Eric will be at 6 pm PT on Tuesday, March 16!
From movie stars, musicians, and skate-boarders to toys, technology, and history, Giant Robot magazine covers cool aspects of Asian and Asian-American pop culture. Paving the way for less knowledgeable media outlets, Eric put the spotlight on Chow Yun Fat, Jackie Chan, and Jet Li years before they were in mainstream America’s vocabulary.
Although Giant Robot has an Asian pop culture focus, it has earned a loyal readership of all colors. The readers are about half-Asian and half-not.
Under Eric’s leadership the magazine consistently has featured superior editorial content, innovative design, and a no-holds-barred attitude, garnering Giant Robot notoriety across a diverse crowd ranging from high schoolers to senior citizens. The magazine’s graphic sensibility has featured a slew of artists who have gone on to fame in the art world.
The magazine’s popularity even led to the opening of Giant Robot retail stores, selling the kinds of cool products that the magazine writes about. [Read more →]
Three years ago this week, a student news website at the University of Colorado sparked a firestorm of protest. The website posted a column by a student, Max Karson, which ineptly tried to address racism on the CU campus by poking fun at Asian stereotypes. The column, “If It’s War the Asians Want, It’s War They’ll Get,” stirred the Denver area’s Asian and Asian American communities to organize and demand changes at the University. The timing was unfortunate, because it ran on Feb. 18, just a day before the 2008 Day of Remembrance, when Japanese Americans mark the signing of Executive Order 9066, which led to the internment of 120,000 people of Japanese descent in American concentration camps during World War II. The column joked about “locking up” all Asians.
The area’s Asian communities weren’t amused, and rallied quickly to protest. So did student organizations not just at CU, but at the states other universities. National Asian American and civil rights organizations sent letters of protest to the Campus Press, but to the CU administration.
In the two years since, there haven’t been a lot of concrete changes at CU in general over racial issues as far as many students can see, but there have been lots of changes at the Campus Press. Its faculty advisor, Amy Herdy, a former colleague of mine at The Denver Post, was an early target of protesters but it turned out the rules for the website prevented her from having editorial control. It’s a student-run website. But since then, Herdy and the students who run the website have been busy rebuilding the class’s reputation, upgrading its commitment to quality journalism, and have worked hard to avoid ever allowing something like the “War Against Asians” column from bubbling up again. [Read more →]
We’ve taken several months off, but Erin and I are ready to resume our series of interviews with inspirational Asian Americans for 2010. We’re especially proud to be able to speak with Dan Kuramoto, one of the founding members of the fusion jazz group Hiroshima, because the group has been nominated twice for a Grammy award! We’ll be speaking with Dan on Tuesday, March 2 at 6 pm PT (9 pm ET). You can register now for the call and submit questions for Dan on our webcast page.
Only a few Asian Americans have been nominated for a Grammy Award over the years, and Hiroshima has managed the feat twice — once in 1980 for “Winds of Change,” a track off the groups second album, “Odori.” Hiroshima was nominated again for their latest album “Legacy,” a collection of re-recordings of songs from the band’s first ten years together. The band has been together for over 30 years, and have become an institution on the fusion jazz and R&B scene. [Read more →]
As a kid in Japan, we always celebrated New Year’s Day, or Oshougatsu, on January 1, just like in the United States, but with different traditions than in America. Japanese clean the house like crazy leading up to the day, and New Year’s Eve isn’t the big party that it is in the U.S. Instead, New Year’s Day is more important, with a family feast featuring special dishes that are made just for the day (called “osechi ryori“). For days everyone visit family and friends to start the year with a fresh slate.
We never celebrated “Chinese New Year.” Looking back, the January 1 New Year is another affectation of Japan’s fascination with the West: Until 1873, Japan celebrated the New Year at the start of the lunar calendar, along with most East Asian and Southeast Asian countries. But five years after the start of the “Meiji Restoration,” when the Japan opened up to the West and began embracing Western ways, the country changed the official date of its New Year to the Roman, or Grgeorian calendar.
In the U.S., most people call the Lunar New Year “Chinese” and it’s become a popular not-quite-holiday, a mid-winter blast of Chinese culture. But it’s not just a Chinese celebration. It may have spread through the influence of China, but the Lunar New Year is celebrated with different traditions in Korea (as Seollal), Vietnam (Tet), Tibet (Losar) and Mongolia (Tsagaan Sar). It’s also celebrated in countries with large ethnic Han Chinese populations, such as Taiwan, Singapore, Malaysia and Macau, and in Chinese communities throughout the world.
In 2010, the start of the Lunar New Year falls on Valentine’s Day — Feb. 14 — and heralds the Year of the Tiger in the Chinese Zodiac.
So, to ALL my Asian brothers and sisters everywhere, HAPPY NEW YEAR OF THE TIGER (and Valentine’s Day)!
Erin and I took a summer hiatus, but visualizAsian.com is back, and proud to kick off a new season of interviews with a conversation with Iranian-Japanese American journalist Roxana Saberi, whose recent book, “Between Two Worlds,” chronicles the harrowing experience of being imprisoned, charged with espionage and sentenced to eight years in a notorious Iranian prison before being released after five months in May 2009.
Emperor Hirohito of Japan gave an 
With Asian American Pacific Islander Heritage Month about to end, I thought I’d write a bit about the terms we choose to describe our identity. Like other ethnic groups, the labels we use for ourselves seems to be always evolving. Hispanic evolves into Latino; Negro to Black to African American; Native American to American Indian. Asian Americans are sometimes called Asian Pacific Americans, sometimes Asian Pacific islander American, and sometimes Asian American Pacific islander. These labels lead to a crazy bowl of alphabet soup acronyms: AA, APA, APIA, AAPI.
In the process she made it super easy to change font size as well as background color (the black background, she explains in 
Erin and I are thrilled to announce the next call in our 
How cool is this? The March 16 visualizAsian.com show is going to be a conversation with 
We’ve taken several months off, but Erin and I are ready to resume our series of interviews with inspirational Asian Americans for 2010. We’re especially proud to be able to speak with Dan Kuramoto, one of the founding members of the fusion jazz group 
As a kid in Japan, we always celebrated New Year’s Day, or 
